Kurt Schwitters was a multi-skilled artist experimenting in typographer, poetry, music, body painting, cabaret, graphic design, multimedia art and photography. However he was famously recognised as the 20th century’s greatest Master of Collage. His abstract collages (also known as Merz pictures) were works of art made from fragments of everyday rubbish such as candy wrappers, beer labels, postage stamps, rusty nails, fabric swatches and newspaper clippings to name a few.
Kurt Schwitters art started off as post-impressionist however grew darker during WW1 and developing a distinctive expressionist tone. The end of World War 1 left many materials around him destroyed and Schwitters attempted to make coherent aesthetic sense of the world around him by creating new life and beauty from the ruins of Germany.
During the 1920’s Schwitters spent most of his time working on Merzbau (an architectural construction that incorporated found objects and junk into his montage pieces in three-dimensional pieces) and the Dadaist magazine called Merz. In 1924 he founded his own successful advertising agency – Merzwerbe.
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